Created by : Jean-Claude Ellena
Date : 2006
Genre : Bergamot patchouli
Concentration : eau de toilette
I’m sorry I’ve been away from the blog recently. You see, I usually have a pretty good idea how I feel about a particular perfume but sometimes it takes me awhile to sort things out. Take Terre d’Hermès for instance. When it first came out in 2006, it soon became the 4th best-selling men’s fragrance in France and with very little advertising. A woman at work who smelled it on a scent strip exploded… “Ah… it’s like an aphrodisiac… I wish my husband wore this!” And, a waiter at my favourite weekend hangout restaurant said, “Yes! This is it! This is what I’ve been looking for!”
So why don’t I absolutely love it? I don’t know. I mean, don’t get me wrong… it’s very smart… maybe even bordering on genius! I would never hesitate to wear it on any given day. But to my nose, it’s “aloof”. There’s nothing warm about it… nothing that says, “hey… come closer”. Or for that matter, nothing that says, “woah.. back off!” To me, it has no feelings of any kind… it’s more of an intellectual thing. It’s all in the head… with no heart.
As for actual scent, Terre is an icy accord of bergamot and wood-centric patchouli. There is no “terre” in sight… even Jean-Claude Ellena admits to that in his “Journal d’un parfumeur : suivi d’un abrégé d’odeurs” of 2011.
Maybe Terre is cool because Ellena himself is an intellectual. That comes out loud and clear in his book. Or maybe I’m just not used to Jean-Claude Ellena’s shorthand style. When it was first launched, Terre was reported to have only 13 notes! I think I need more notes… a bigger orchestra.
I would never hesitate to wear it because, intellectually, I “know” it’s beautiful… but I don’t feel it.
Image : Portrait of Nietzsche (1844-1900) who coined the phrase “God is dead.”